Want to Become a Freelance Book Editor?

Build your expertise, meet other new editors, and learn how to make a living as a freelance book editor in our self-paced intro class. In just 5-10 hours, determine what type of book editor you were meant to be and exactly how to start your career. 

Get Started

Editorial Arts Academy – where wordsmiths learn to prosper from their passion!

Have you ever wondered whether you’d make a good book editor? Maybe you spot typos in the books you read, or you readily think of ways a novel could be strengthened. Maybe you’ve always wanted to turn your love of words and books into a profitable, rewarding career. Or maybe you just want to explore freelance work for the flexible lifestyle it affords.

We’re longtime freelance book editors, and we love what we do. We started Editorial Arts Academy so we could teach others how to prosper from their passion.

Join In!

Take Our Editor Profile Quiz

Not all editors are good spellers or grammar geeks. We’ve found four editor profiles and seven editorial roles for freelance book editing. To see where you fit in, take our 10-minute Editor Profile Quiz.

Sign Up for The Editor’s Query

The Editor’s Query is our free monthly dispatch about book editing. If you’re curious about the world of trade books (popular books for a general audience), this bulletin was made for you.

Enroll in a Course

Our self-paced intro course, Freelance Book Editing 101, is a great place to start. Advanced courses are released throughout the year. Sign up for course updates and you’ll be the first to know about them.

Laura Fortier

Editorial Arts Academy’s copyediting practicum was informative and fun. I learned a lot from editing real manuscripts. There is no better way to discover the technical and stylistic issues you are likely to encounter during an edit than in an unedited manuscript. Susannah reviewed my work down to the level of commas and helped me fine-tune my queries to stay in their copyediting and line editing lanes. I finished the class with a stronger grasp on the overall process of book editing and practical experience from working on several types of trade books.

Laura Fortier
Los Angeles, California, US
Kyla M. Cullinane

Freelance Book Editing 101 is a huge game changer for me. I have always wanted to be a book editor but never knew how to actually be a book editor. This motivates me to jump in and put myself out there. I have the education (MFA) and some professional experience so now I just need to find the clients and build the business. THANK YOU!!!! I am not sure what I would do if my brother had not found your site.

Kyla M. Cullinane
Baltimore, Maryland, US
Kimberly Ivey-Hogue

Copyediting Principles & Mechanics was an excellent and enlightening look into the wide world of copyediting. NaNá and Susannah took the time to answer every question and gave us welcome feedback on assignments and really helpful advice on breaking into paid work. I looked forward to this class every week, as NaNá and Susannah were warm, friendly, very knowledgeable, and so generous with their experience in the field. Our class discussions were fun and informative and covered a tremendous amount of territory. Included were SO many useful resources on every aspect of copyediting. NaNá and Susannah, thank you both so much for all your time, kindness, and sharing your expertise.

Kimberly Ivey-Hogue
Calgary, Alberta, Canada
Pam Bustin

Editorial Arts Academy’s Developmental Editing for Fiction class taught by Pat Dobie was exactly what I needed to make the leap to hanging out my shingle as an editor. I am a writer and had done some editing but I lacked confidence in my skills. I wanted a clear system of working through a novel and providing useful feedback and support to the author. Pat’s generous, honest teaching gave me the tools and confidence I needed to get Soul Stories off the ground. The combination of the lectures and hands-on practical exercises was bang on for me. I learned so much and I know I will return to my class notes for years to come. Kudos to Pat and the EAA for creating a fabulous course!

Pam Bustin
Angela Moody

I finally know what I want to be when I grow up! I’m so glad I decided to take this class. The in-depth study of a manuscript and learning to book map were so helpful, I intend to map on my own novels. Today is the day I hang out my shingle and call myself a Developmental Editor.

Angela Moody
Essex Junction, Vermont, US
Tayler Bailey McLendon

I’m currently halfway through the Freelance Book Editing 101 course and cannot thank you enough for such an incredible resource.

Tayler Bailey McLendon
Houston, Texas, US
Shawna Hampton

The benefit I received from taking the copyediting practicum far outweighed the cost. Having one-on-one and personalized feedback from a veteran of the profession was invaluable and affirmed that copyediting is not only something I can do, but do well, and that I made the right choice to go into this field. The assignments and exercises felt like work I would be doing in the “real world” and gave me a good peek into and practice for my future business222222222. ////8/* <— and my cat liked it too! 🙂 The Slack channel served as a tool for forming connections with my peers that will serve me well on this journey. Overall, it was a wonderful choice, and I couldn’t be more pleased with the result!

Shawna Hampton
Toni Weeks

What I like about EAA is its size: I feel overwhelmed to the point of paralysis with the bigger organizations. I end up plunking my money down for membership or adding myself to the correlating editorial/writing Facebook groups but then never participate. But EAA (and you!) are approachable, warm, and welcoming, so THANK YOU for that! I’m so glad I discovered EAA.

Toni Weeks
Pismo Beach, California, US
Patricia Bumpass

Copyediting Principles & Mechanics was an excellent starter course for those of us wanting to dip our toes or go full steam ahead into the editing world. There was enough information and practice to whet our appetites. By the end of the course I felt prepared to update my social media profiles, put up a page on my current website, and go out and find editing work. Susannah was open to all questions and explained the material thoroughly. I would highly recommend this course to anyone looking to find out about the principles and mechanics of copyediting.

Patricia Bumpass
North Carolina, US
Lisa Tynan

One of the best things I have done for myself and my editing career is taking courses run by Susannah Noel at Editorial Arts Academy. Susannah is a wonderful instructor who truly wants her students to succeed and goes out of her way to make sure that happens. I found the lectures, exercises, and materials so helpful, and I gained the confidence to step out on my own as a freelance editor. I highly recommend Susannah and EAA to anyone who wants to become more skilled and self-assured in their editing abilities.

Lisa Tynan
Marlborough, Massachusetts, US
Sarah Yahm

I’ve always wanted to be a book editor but felt paralyzed about how to get started. Susannah and Nancy broke down the process of getting started as a freelance editor into manageable parts, so it feels doable to me now.

Sarah Yahm
East Montpelier, Vermont, US
Jennifer Taylor

It would not be too much to say that Editorial Arts Academy changed my life. When I first embarked on this journey, I had virtually no editorial experience. I was looking for a new career and couldn’t imagine that I could achieve financial stability while working from home and doing something I truly enjoy—reading! Now I have proofread two novels and copyedited another. I cannot recommend this class enough to anyone ready to start on their editing adventure.

Jennifer Taylor
East Calais, Vermont, US
Courtney Jenkins (2018)

Editing is my thing, and your seminar the other day has inspired me to believe that it is possible to make a living doing it! I’m so excited. Thank you for igniting the spark that I needed to pursue my dream job.

Courtney Jenkins (2018)
Michael Bleau

Thanks, Susannah for an informative and enjoyable course. And for recruiting other fantastic folks as fellow students. You are very knowledgeable, professional, and generous of time and spirit. I definitely would take a course again (a third time and more) with you in the future. When I begin editing books, it will largely be because of your fine support.

Michael Bleau
Essex, Vermont, US
Lily C.

I highly recommend Copyediting Fiction and Nonfiction Books: Principles & Mechanics! I now feel fully prepared to offer copyediting services. I also have the resources I need to set up my business and am a part of a large network of editors that I can continue to learn from. I really enjoyed getting to know my fellow students and my amazing instructors, NaNá and Susannah! Thanks so much!

Lily C.
Denver, Colorado, US
Rhonda Henry

I really appreciate the amount of preparation and overall effort that went into Freelance Book Editing 101. I’ve taken lots of classes over the years for my work and it’s rare to find instructors so clear, committed, and focused on providing good information in an accessible format.

Rhonda Henry
Seattle, Washington, US
Christina Wielgolawski

Following Freelance Book Editing 101’s tantalising taster of book editing, Susannah served a fabulous first course with Copyediting Fiction and Nonfiction Books: Principles & Mechanics. Susannah imparted her extensive knowledge of copyediting with enthusiasm and was supportive of our efforts. The course flowed smoothly with an effective mix of activities plus excellent resources and recommendations. I had fun learning a lot and the course whetted my appetite for more copyediting. 

Christina Wielgolawski
Wellington, New Zealand
Joshua Hayes-High

As a follow-up to their introductory course, I cannot recommend the Copyediting Practicum highly enough. This program is immensely helpful, both to those already trying to make it in the editing field, and those just starting out. This program really gives one the skills and the confidence to go out and do it.

Joshua Hayes-High
Joy Worland

Susannah and Nancy are full of knowledge and positive energy and are super fun to work with! They provided concrete steps and tools that can help me turn my hobby of editing friends’ emails and Facebook posts into a freelance career.

Joy Worland
Montpelier, Vermont, US
Nancy Disenhaus

Susannah and Nancy have been deeply helpful to me in every imaginable way as I begin my journey toward becoming a freelance developmental editor of YA novels: planting the seed of the idea that I might parlay my skills and love of reading into the role of book editor; supporting me at every step with information, resources, and priceless samples of their own editing expertise; and availability to answer any and every question that might arise. Their deep knowledge and passion and enthusiasm for sharing what they know has been a great gift.

Nancy Disenhaus

Articles about Freelance Book Editing

Deep Blue Sea - and Book Editing

How a Near-Plunge into the Sea Led to My Career as a Freelance Book Editor

It was early Sunday morning, and the rain-slicked Pacific Coast Highway was relatively empty. Luckily, there were few cars coming over the hill behind me when I hit that...

Banish Imposter Syndrome and Become a Freelance Book Editor

“Book editor.” The mere mention conjures up an image of an exalted creature who sits in a corner office of a Manhattan publishing house, madly editing great piles of...
Book coach - older woman lending a hand

The Seven Editorial Roles for Freelance Book Editors

When I tell people I teach freelance book editing, I often get this response: “I love books, but I couldn’t be a book editor—I don’t know grammar well enough.” Or: “I...

Tour of Developmental Editing for Fiction

As a developmental editor of fiction for the last decade, I’ve worked on almost two hundred novels in just about every genre of fiction, both literary and commercial. By...

Can Social Media Help Book Editors Get Work? Part 1

Most book editors fall into two categories. They’re either on social media but think they can do more to help their business, or they’re overwhelmed by it and don’t really...

Introducing Developmental and Line Editing for Popular Nonfiction Books

Editor's Note: This course is not currently open for registration, but we will likely reopen it in the later months of 2021. When I tell colleagues about my specialty of...
chihuahua offering editorial services

Book Coach, Book Editor, or Both?

It happens all the time. A prospective client contacts me about their book, wanting my book coaching or editing services to help in some phase of its completion. But their...
Editors who teach how to edit books

Our First Eighteen Months Offering Classes in Book Editing: EAA Looks Back While Surging Forward

Summer has arrived—at least, judging by the vibrant green foliage and fragrant lilacs in bloom outside my office window here in Montpelier, Vermont. Susannah and I are glad...
woman talking to a man at a cafe table

Networking in Real Life for Freelance Book Editors

A few years ago, at a gathering for college instructors to kick off the new semester, I found myself pouring a bubbly drink alongside a colleague I hadn’t seen in a few...
A woman stands on a bridge

How to Find an Editing Job in Book Publishing: Close Your Eyes and Jump

Editor's note: This is a guest post by editorial professional Jenny DeBell.I recently completed the copyediting course at Editorial Arts Academy in order to build skills...
Developmental Editing

A Book Editor’s Journey into the Heart and Soul of Developmental Editing

Editor’s note: Texan Ann Kellett (annkellettediting.com) has been a full-time, award-winning editor for more than thirty years. The business cards she ordered for her new...

Can Social Media Help Book Editors Get Work? Part 2

In Part 1 of “Can Social Media Help Book Editors Get Work?,” we explored the benefits of being active on social media and which platforms can be the most fruitful for...
a young woman works on a laptop

Freelance Book Editing for the Big Five Publishers

Traditional trade publishing is, once again, changing. On May 10, 2021, HarperCollins absorbed Houghton Mifflin Harcourt, and the Boston-based publisher was drawn into the...

What Is a Book Coach, and How Can You Become One?

For over twenty-five years, I’ve been a developmental editor of nonfiction. But recently, I’ve added “book coaching” to my editorial services. The shift came about when Dr....
Editor Emily King

One Freelance Editor’s Path to the Editing Life

In March 2019, I went to the ACES conference in Providence, RI. I met many lovely fellow editors, including Emily King. Emily was kind enough to answer a few of my questions...

Sign up for course announcements

Fill out the form to receive updates about our classes.

Get course updates

Get notified as new courses come online.

Unsubscribe at any time. Powered by ConvertKit